Saturday, Oct. 7 - Trace Adkins
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Saturday, Oct. 7 - Trace Adkins

Trace Adkins Bio

“I’ve got to the point where it’s all up to me now,” says Multi-Platinum Country star Trace Adkins, 25 years into a career filled with bold authenticity and chart-topping smashes. “I can do whatever I want … and that’s a beautiful place to be.”

In truth, he’s been doing that all along, fusing a booming baritone and commanding stage presence with sounds from all across the Country spectrum – sometimes with a mischievous wink. But on his 13th studio album, The Way I Wanna Go, Adkins takes the idea to heart.

Since his debut in 1996, the larger-than-life star has sold over 11 million albums and charted 20 songs on Billboard’s all genre Hot 100, while catapulting 15 singles into the Top 10 on Billboard’s Hot Country Songs chart. He’s also racked up two billion streams and boasts a reputation for fiery live performance – not to mention his multiple Grammy nominations, awards from the ACM and CMT, and a willingness to think outside the box.

Now, with 25 all-new tracks to celebrate the 25th anniversary of his Dreamin’ Out Loud debut, Adkins brings it all together. Steeped in the cultural melting-pot of his Louisiana upbringing, The Way I Wanna Go finds him leaning in to a lone-wolf spirit, and continuing down the road which made him a shapeshifting member of the Grand Ole Opry.

Produced by Mickey Jack Cones and Derek George and to be released by Verge Records, it touches on all aspects of Adkins’ hit-making career – from profound traditional balladry to clever-Country party anthems. And with a sound that ranges from timeless twang to beat-driven bravado, it brings a who’s who of unpredictable guests along for the ride.

All-star collaborators include Blake Shelton, Luke Bryan, Stevie Wonder on harmonica, Snoop Dogg, Pitbull, Keb’ Mo’ and Melissa Etheridge. And Adkins’ creative craftsmanship is sharper than ever. “I am at the top of my game right now,” he says with conviction. “I’m better at this than I’ve ever been in my life, and I like the way my voice sounds better now than 25 years ago.”

Smooth, rich and dynamic, that iconic vocal shines on the good-old-days anthem, “Heartbreak Song,” and enjoys the fruits of labor in the peaceful “Where I Am Today.” Others like “Careful Girl” showcase Adkins’ rumbling romantic magnetism – made famous with his first No. 1, “(This Ain’t) No Thinkin’ Thing” – while “Got It Down” stands tall for those who take life by the horns.

Our red-white-and-blue ideals remain intact with “Somewhere In America.” And in “Empty Chair,” Adkins salutes the quiet sacrifice of U.S. service members, tapping the raw emotion that also drove big-picture anthems like “You’re Gonna Miss This.” But the tunesmith also made his name on
irreverent knee-slappers, carving a good-timing niche with hits like 2004’s “Honky Tonk Badonkadonk,” and 2010’s “Hillbilly Bone” (with Blake Shelton).

Here, he revisits the friendship with Shelton on “If I Was a Woman,” sharing a few laughs with his 2021 tour mate. He weaves a rom-com worthy plot in “It’s a Good Thing I Don’t Drink,” while “Where The Country Girls At” combines the party-starting prowess of Luke Bryan and Pitbull. And in what’s sure to be an instant favorite, “So Do the Neighbors” cranks up the volume with rap legend, Snoop Dogg.

“I just remember it was almost the same reaction to the first time I heard ‘Badonkadonk,’” Adkins says of the hip-hop honky tonker. “It made me laugh out loud!” Adkins further shares, “Never in a million years would I have imagined that I would collaborate on songs with Luke Bryan, Melissa Etheridge, Snoop Dog, Keb’ Mo’, Pitbull, and Blake Shelton…on one album! I even have a song that Stevie Wonder plays harmonica on. So, to have performances by these iconic superstars, from different musical genres, on my 25th-anniversary album is incredibly humbling.”

But it’s “The Way I Wanna Go” which best shows where he’s at, 25 years into his career and still going strong. Delivered with pride and a sense of against-the-odds determination, Adkins cautions that he’s not done yet – he’s loving this chapter of life too much to quit. But when he does bow out, he’ll do it just like he does everything else. On his own terms.

“I love where I’m at, I really do,” Adkins says. “I’ve had the perfect career, and I don’t know where my place is gonna be when the history of what I did is written. But 90 percent of the time, I said what I wanted to say and stuck to my guns, and did what I wanted to do. … And I’m gonna go out the way I wanna go out.”

Visit his website here: https://traceadkins.com/

CONNECT WITH TRACE ADKINS

T Graham Brown

It was one of the most vibrant and exciting time periods in Country Music history – the mid-1980s. A new and exciting crop of talents were springing up all over the place – and T. Graham Brown remembers it like it was yesterday.

“I remember Randy Travis and I hit at about the same time,” he recalls. “Our first singles were so close to each other. I’m not sure if it was the same week or not. Then you had Marty Stuart, Billy Burnette – who went on to Fleetwood Mac. Steve Earle was there, too. I saw him at the Grand Ole Opry a few weeks ago, and we talked about that year. We had a great year. We called our club ‘The Great Credibility Scare of 1986.’ All of us were having fun, there was no competition between us, and we all loved each other. Keith Whitley was one of my best friends, as well, and we were touring together a lot. It was a great time.”

Brown’s initial entry to Country Radio was the sad and soulful “Drowning In Memories.” That Top-40 single helped him to establish himself, and by the winter of 1986, he had warmed up to audiences with the bluesy hit “I Tell It Like It Used To Be.” Other hits quickly followed, with his first self-penned release “Hell And High Water,” which became his first number one song. “I Wish That I Could Hurt That Way Again” and “Don’t Go To Strangers” were the next releases, which all became chart-toppers.

The soulful vocal stylings of T. Graham Brown were all over the airwaves, as his sophomore release Brilliant Conversationalist added more titles to his arsenal of hits, such as the seductive “The Last Resort,” and “She Couldn’t Love Me Anymore.” It was a time period that Brown sums up as something of a blur.

“Doing shows, visiting radio stations and promoting our records, kept me out on the road over 300 days a year and that was a lot of traveling! This was when I was on tour with Kenny Rogers, who was the biggest thing going back then. I was learning so much about the business and having the time of my life. I wouldn’t have missed it for the world!”

His audiences continued to make him a radio favorite as he continued to amass more hits like “Darlene,” the smash duet “Don’t Go Out” with Tanya Tucker, and the regret-filled “If You Could Only See Me Now.”

At the same time his singles were climbing the charts, T.’s powerful voice could also be heard on radio and television. His sense of style provided the platform for a successful series of cameos in commercials for international brands such as Coca-Cola, Harrah’s Casino, Burger King, and Taco Bell. It’s his work with the popular Mexican eatery that he is perhaps best known, with a series of commercials under the mantra “Run For The Border,” a campaign that lasted four years. Brown says it was an exciting time – and one where he ate more than his share of Meximelts and Nachos Bell Grande dishes!

As the 80s progressed into the next decade, Brown continued to flex his artistic muscle. A well-received concert album enabled him a chance to pay homage to his early influences, like the incomparable Otis Redding, and his hero George Jones, who he teamed up with on several projects, including the CMA Award-winning Vocal Event of the Year release, “I Don’t Need Your Rockin’ Chair.”

It was a gripping 1998 release about his battles with alcohol – “Wine Into Water”- which helped him introduce his music to the Christian audiences. This iconic song has been recorded by over a hundred artists, most recently by Loretta Lynn, on her critically acclaimed project, Full Circle.

In recent years, his first-ever Gospel album, Forever Changed, netted him a Grammy nomination, with the promise of more such music on the way. A collaboration from the disc, “He’ll Take Care of You,” paired him with Country Music Hall of Famer Vince Gill.

Now entering his fifth decade as an entertainer, T. Graham Brown continues to branch out in his career. Before moving to Nashville in 1982, he made a few cameos in feature films, including 1977’s Greased Lightning with Richard Pryor. More recently, he’s started acting again, and his colorful personality can be seen in such films as Saving Samuel and Ticket To Nashville. He is also featured in the television series The Dream Motel, which contains a unique premise.

“It’s a Christian-based Fantasy Island meets The Twilight Zone,’ says the artist known affectionately as His T-Ness. “Guests at The Dream Motel find themselves face to face with their past, their present and their future. All things are possible for guests at The Dream Motel.”

He even acted in the stage play, A Scattered, Smothered, Covered Christmas, the Waffle House Musical, where “Wine Into Water” was chosen for the score.

That being said, there’s not much that Brown would change. His career continues to sail along at a pace that seems to suit him well these days.

“I’m having more fun out there now than I ever have had. I’m not out there chasing the hits. I’m just trying to stay out there. We’re planning on doing another Gospel record later this year. I’m doing some acting, which I am enjoying. I’m no great actor, but as long as they keep calling me, I’ll keep doing it. It’s a lot of fun.”

And, for T. Graham Brown, it’s all about a career that he enjoys. He’ll tell you with a grin, “I’ve got a band and a bus, and I’ll keep taking the music to the people as long as God lets me. It’s what I love to do!”


https://tgrahambrown.com/

CONNECT WITH T GRAHAM BROWN

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